We both edit podcasts and audio using Ferrite, a purpose-built audio editing app designed primarily for spoken word content (as opposed to Logic Pro or Garage Band which were built for music). It works on both iPhone and iPad, enabling a very natural touch input paradigm for editing your audio that both Alec and I prefer to use.
In our stream, we talked about the additional benefits when you edit on the iPad, including how using the Apple Pencil in this app feels like a remote control and which custom settings we use to edit.
We also covered details like Ferrite templates, the keyboard shortcuts, and a few of the downsides as well – it doesn’t have the same speed-changing capabilities as Logic, for example.
I really enjoyed talking with Alec—he’s a great guy—about this tool we both enjoy, especially because it’s changed how I edit audio and opened up where I can do my work.
For the past several months, I’ve been working on a shortcut designed to be the ultimate assistant for Apple Music.
Called MusicBot, the shortcut encompasses dozens of different features and aims to be an all-in-one assistant that helps you listen to music more quickly, generate intelligent mixes based on your tastes, rediscover music from your library, control playback on AirPlay 2 speakers, and much more.
I poured hundreds of hours of work into MusicBot, which has gained a permanent spot on my Home screen. Best of all, MusicBot is available to everyone for free.
MusicBot is yet another one of Federico’s shortcuts that turns a vast number of functions into a single Siri Shortcut for you to use. Plus, look at that custom icon!
I quite literally have over 50 music-based shortcuts that this will be replacing.
Every year, it’s a staple in the Apple community to read Federico Viticci’s in-depth review of the latest version of iOS.
Federico has been running MacStories for years and always spends the summer drafting massive, book-length guides to the new changes that come to Apple’s iPhone and iPad software, quickly becoming the go-to place to pay attention when the new release drops.
This time, it’s very much the same, with Viticci publishing his entire review with 16 individual sections as pages (and 1 page for credits). Here’s the subhead introduction:
After years of unabated visual and functional changes, iOS 12 is Apple’s opportunity to regroup and reassess the foundation before the next big step – with one notable exception.